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"A Cycle of the West rewards its readers with a sweeping saga of the American West and John G. Neihardt's exhilarating vision of frontier history"--
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"Mitchell argues that the Western continues to engage us because recent films deliberately defy classic patterns yet still appeal to an implicit fondness for genre conventions. Narrative expectations are so deeply stamped on our consciousness that we cannot escape reimposing assumptions on materials that barely resemble the classic Western" --
Western films --- Motion pictures --- Social change in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism. --- Social aspects --- History --- History and criticism --- West (U.S.) --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States --- In motion pictures.
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Lewis and Clark Expedition --- Corps of Discovery --- Corps of Discovery Expedition --- Ėkspedit︠s︡ii︠a︡ Lʹi︠u︡isa i Klarka --- Lewis & Clark Expedition --- Lewis and Clark Corps of Discovery Expedition --- Lewis and Clarke Expedition --- Meriwether Lewis and William Clark Expedition --- West (U.S.) --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States --- Description and travel. --- Discovery and exploration. --- Description and travel
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"Andrew J. Russell is primarily known as the man who photographed the famous "East and West Shaking Hands" image of the Golden Spike ceremony on May 10, 1869. He also took nearly one thousand other images that document almost every aspect of the construction of the Union PacificRailroad. Across the Continent is the most detailed study to date of the life and work of an often-overlooked but prolific artist who contributed immensely not only to documentation of the railroad but also to the nation's visualization of the American West and, earlier, the Civil War. The central focus in the book is on the large body of work Russell produced primarily to satisfy the needs of the Union Pacific. Daniel Davis posits that this set of Russell's photos is best understood not through one or a handful of individual images, but as a photographic archive. Taken as a whole, that archive shows that Russell intended for viewers never to forget who built the Union Pacific. His images celebrate working people, masons working on bridge foundations, freighters and their wagons, surveyors with their transits, engine crews posed on their engines, as well as tracklayers, laborers, cooks, machinists, carpenters, graders, teamsters, and clerks pushing paper. Russell contributed to a golden age of Western photography that visually introduced the American West to the nation, changing its public image from that of a Great American Desert to a place of apparently unlimited economic potential."--Provided by publisher.
Railroads --- Photographers --- History. --- Russell, Andrew J. --- Union Pacific Railroad Company --- Central Pacific Railroad Company --- History --- West (U.S.) --- Russell, A. J. --- California and Oregon Railroad Company --- California Central Railroad Company (1857-1864) --- Central Pacific Railway Company --- Union Pacific Railroad and Telegraph Company --- Pacific Union Railroad Company --- Union Pacific Railway Company --- Oregon Railway and Navigation Company --- Oregon-Washington Railroad and Navigation Company --- Spokane International Railroad --- Oregon Short Line Railroad Company --- St. Joseph & Grand Island Railway --- Southern Pacific Company --- Nevada Central Railway --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States
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"The earliest rock art in the Americas as elsewhere - is geometric or abstract. Until now, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind? With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethnology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors' approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus"--Rabat de la couverture.
Rock paintings --- Picture-writing --- Petroglyphs --- Indians of North America --- American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Carvings, Rock --- Engravings, Rock --- Rock carvings --- Rock engravings --- Rock inscriptions --- Stone inscriptions --- Inscriptions --- Ideography --- Pictographs --- Pictography --- Archaeology --- Hieroglyphics --- Writing --- Paintings, Rock --- Pictured rocks --- Rock drawings --- Art, Prehistoric --- Painting, Prehistoric --- Antiquities. --- Culture --- Ethnology --- West (U.S.) --- American West --- Trans-Mississippi West (U.S.) --- United States, Western --- Western States (U.S.) --- Western United States --- Indiens d'Amerique --- Art indien d'Amerique --- Petroglyphes --- Rock paintings. --- Picture-writing. --- Petroglyphs. --- Art rupestre --- Écriture ideographique --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Antiquites. --- West United States. --- États-Unis (Ouest)
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